SUCKERS Live At Glasslands
Posted: April 29th, 2009 | Author: admin | Filed under: All Artists, Suckers | No Comments »
Suckers – It Gets Your Body Movin’ (live).
Suckers – It Gets Your Body Movin’ (live).

NME reviews up-and-coming IAMSOUND artist SUCKERS.
Click here to check out the full review
Click on the image for a larger view

Our sister label IMASOUND Records have released Florence and The Machine’s new EP “A Lot of Love. A Lot of Blood!”. It’s available on iTunes and on 12-inch vinyl in record stores across America… so go out and grab it!!!
The EP is a collection of her past two previously released singles (“Kiss With A Fist” and “Dog Days Are Over”) as well as a new remix of Dog Days by the very talented Optimo.
There’s some great press around the EP (look out for features in your favorite magazines in the coming months).
“England’s Florence Welch comes equipped with a soulful voice that…invokes the punk-inspired arrivals of the early ’90s. Welch can purr like Elastica’s Justine Frischmann and below like PJ Harvey, but in between there’s a falsetto that flows straight from the heart.”
- Under The Radar Magazine (8/10 review)
For more info and or licensing contact Colin Chambers

Set for a July 6th release in the UK, details on track listings for both the “standard” and “special edition” of Florence and The Machine’s long awaited debut album have been announced.
“Rabbit Heart (Raise It Up)” which just premiered on the BBC’s Radio 1 this week has been tagged as the first single, and will be made available on June 22nd.
For a complete track listing see below.
STANDARD ALBUM
1. Dog Days Are Over
2. Rabbit Heart (Raise It Up)
3. I’m Not Calling You A Liar
4. Howl
5. Kiss With A Fist
6. Girl With One Eye
7. Drumming
8. Between Two Lungs
9. Cosmic Love
10. My Boy Builds Coffins
11. Hurricane Drunk
12. Blinding
Bonus: You’ve Got The Love
SPECIAL EDITION TWO DISC ALBUM (packaged in a cardboard digi pack)
Disc 1
1. Dog Days Are Over
2. Rabbit Heart (Raise It Up)
3. I’m Not Calling You A Liar
4. Howl
5. Kiss With A Fist
6. Girl With One Eye
7. Drumming
8. Between Two Lungs
9. Cosmic Love
10. My Boy Builds Coffins
11. Hurricane Drunk
12. Blinding
Bonus: You’ve Got The Love
Disc 2
1. Bird Song
2. Dog Doys Are Over (Demo)
3. Falling
4. Hardest Of Hearts
5. I’m Not Calling You A Liar (Demo)
6. Girl with One Eye (Bayou Percussion Version)
12″ VINYL ALBUM
1. Dog Days Are Over
2. Rabbit Heart (Raise It Up)
3. I’m Not Calling You A Liar
4. Howl
5. Kiss With A Fist
6. Girl With One Eye
7. Drumming
8. Between Two Lungs
9. Cosmic Love
10. My Boy Builds Coffins
11. Hurricane Drunk
12. Blinding
Bonus: You’ve Got The Love

IAMSOUND acts, Little Boots and Thecocknbullkid featured in Spin Magazine.
Click HERE To Have a look!

‘My Name Up In Lights,’ the new album from The Secret Handshake (a.k.a. Luis Dubuc) is now available and receiving rave reviews. ‘My Name Up In Lights’ Is the follow-up to the one man electro-pop act’s debut full-length ‘One Full Year’. Check out “Saturday” off the new album below!
The Secret Handshake - “Saturday”
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For info on other tracks from the album contact Colin Chambers or Kevin Krump.
The latest artist to sign to Worlds End management, Florence and The Machine is featured in this week’s NME. She discusses her new album, which is set to be released on Island in the UK on July 6th.
Click here to read the full story

Exclusive to the IAMSOUND CD release of Telepathe’s debut album “Dance Mother” (in stores now!) are three bonus remixes from Chairlift, The Big Pink, and Worlds End client Atticus Ross (Nine Inch Nails, Janes Addiction, 12 Rounds).
Check out the Atticus Ross remix below!
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For more on Telepathe’s “Dance Mother” contact Colin Chambers.

An increasingly whispered-about Brooklyn four-piece with a warehouse-commune aesthetic that Pitchfork’s Ryan Dombal accurately described as “fourth-generation hippie flotsam,” Suckers’ debut, four-song EP kneels before sonic idols (David Byrne, Isaac Brock) that actually share little in common with the band’s sartorial affectations. Where most EPs put their best foot forward, here Suckers close with their strongest song to date: “It Gets Your Body Movin’”, which does just as the song’s title suggests and more– it gets you singing as well.
Call it a strong first impression and mixtape ammo. Built around a base of tribal drums and waterlogged guitars, “It Gets Your Body Movin’” lives and dies by its titular refrain, five words that– laced with a lazy bit of whistling– crescendo and build and expand before bursting outright. By measure of sheer collective sing-a-long voltage, one could tag the song an “anthem” and call it a day. But on a short release stuffed with and defined by oversized, campfire vocal confetti, I’m not sure how well the descriptor really captures the psychotropic pop spaces and grooves that Suckers and producer Anand Wilder (of fellow Brooklyn indie-rock mystics Yeasayer) are gunning for. This feels much more communal or even experiential than what that word connotes. This feels like a reason to hold hands and beat your chest, not place the former over the latter.
Though the approach or rhythm differs, that vibe pervades throughout. On
“Beach Queen”, lead vocalist Quinn Walker sounds every bit as Byrne-nian on
his own as Clap Your Hands Say Yeah’s Alec Ounsworth did when he arrived
four years ago. The vocal hook isn’t nearly as fetching as the way the
synths melt into one another, but that itch to join in remains. “Easy
Chairs” opens with a bit of PCP barber-shop harmonizing before skipping off
at a pace befitting its “Ring Around the Rosies” melody. “Afterthoughts &
TV” boasts a galloping chorus that, while every bit as exuberant as
“Movin’”, features a buffet of instrumentation (horn explosions, piano,
twang) that hints further at a band with an ear for more. Just four songs in
and we’ve got a very satisfying, very clear idea of what to expect. To have
more would be sweet, to continue to be plesantly surprised even better.
-David Bevan, April 21, 2009